Roy Ayers Everybody Loves The Sunshine Download

Roy Ayers Everybody Loves The Sunshine Download From Amazon#

Hi-Res / Jazz / Soul / Funk / RnB. All music Roy Ayers Ubiquity. Audio: FLAC 24 bit / 192 kHz (Tracks) Performer: Roy Ayers Ubiquity Album: Everybody Loves The Sunshine Published: 1976/2016 Genre: Jazz, Funk, Soul File Size: 1.64 Gb. Album information.'My Life' by Dr.

Roy Ayers Everybody Loves The Sunshine Download From Amazon

Everybody Loves the Sunshine is a studio album by Roy Ayers released under the Roy Ayers Ubiquity umbrella. Listen to both songs on WhoSampled, the ultimate database of sampled music, cover songs and remixes.WRIR 97.3lpFM indie radio Advert Music: Everybody Loves The Sunshine. Artist: Roy Ayers Ubiquity. Stream or download from Amazon. This Sea Lion Coors Light commercial song is a tune called вЂEverybody Loves The SunshineвЂ™ which was recorded by the Californian jazz, soul, and R&B musician Roy Ayers, as part of the Roy Ayers Ubiquity umbrella.Summary: It almost feels like summer here in the VA, and of course we all know that 'Everybody loves the Sunshine'. Remember the Roy Ayers hit? RAMP was a group produced by Roy Ayers back in the 1970s, and they released one album on Blue Thumb records titled 'Come into Knowledge'.

Dean Martin-everybody Loves Somebody. In 2016, Pitchfork placed the title track at number 72 on the '200 Best Songs of the 1970s' list.Roy Ayers. It peaked at number 51 on the Billboard 200 chart.

Crossover became a major part of AyersвЂ™ musical aspirations and he remained a rather prolific entity, catering his music to the same commercial R&B audiences who cherished major figures like Stevie Wonder and Earth, Wind & Fire. Perhaps his most revered contribution to jazz-fusion came with his masterful 1973 score to the blaxploitation film Coffy, where he configured an unprecedented balance between trippy funk and lush cinematic soul.Something shifted soon after, though. In signing with Polydor Records and forming his own collective of musicians, Ubiquity, with jazz-rock heavyweights like Billy Cobham and Sonny Fortune in 1970, he punctuated his earthiest and most adventurous excursions in the jazz fusion universe.During that stretch, he released pioneering records that would go on to define much of the acid jazz movement and neo-soul world two decades later, such as 1971вЂ™s Ubiquity, 1972вЂ™s HeвЂ™s Coming, and 1973вЂ™s Red, Black and Green and Virgo Red. It was obvious that he was an accomplished musician in his own right, but most importantly, he was at the helm of a crucial transition that took place in jazz, where funk and soul gave way to heavily percussive, African-infused polyrhythmic sensibilities.While he was an established vibist that employed a major hard bop approach to his style, AyersвЂ™ signature blend of hypnotic dance grooves, jaunty backbeats, and infectious vocal interplay became the most distinctive elements of his musical approach. With umpteenth years in the music business and a large output of long players under his belt, the San Francisco native became one of the most visible and scorned figures among jazz circles.

While itвЂ™s obvious that Everybody Loves the Sunshine wasnвЂ™t a stylistic deviation from the last couple of albums he released during the mid-1970s, it certainly wasnвЂ™t a step forward. During 1975, he released two transitional albums, A Tear to a Smile and Mystic Voyage, which showcased his refined approach, expounding on his flirtation with R&B, dance and funk leanings, while largely confounding the jazz community even more.At every cost, he would hit bigger stakes on 1976вЂ™s Everybody Loves the Sunshine.ItвЂ™s not quite difficult to fathom how and why AyersвЂ™ fourteenth release struck a chord with many, becoming his most commercially successful and popular work. While his refined musical style wasnвЂ™t a sharp departure from the eclecticism of his earlier Polydor-era recordings, Ayers certainly kept his ears and eyes open to all of the trends and idioms that ran through Black popular music throughout the mid-1970s.He would constantly change the line-up of his Ubiquity band, with a pronounced female vocal presence that often suited his distinctive smooth vocal style. Why not be a non-conformist and expand all the capabilities that the genre had to offer? True evolution is realized when one moves beyond conventionality and defies categorization anyway, right?As if the title of his 1974 effort Changing Up the Groove didnвЂ™t hint at this direction already, Ayers was consciously evolving his musical prowess, employing an accessible edge to his ubiquitous fusion of jazz, soul, and funk, a la ByrdвЂ™s controversial crossover recordings for the Blue Note label. Plus, he was very much a musical maverick who was influenced by everything under the sun. Like Herbie Hancock, Donald Byrd, and George Duke, Ayers wanted to draw masses to the jazz stratosphere.

This was largely an album that could sit squarely next to many soul and funk masterpieces, as well as the mighty fusion works that defined the era.Even during its hollow moments, AyersвЂ™ musings on unity, spirituality, love, and of course, the world were prominent themes. It screams 1970s camp and crossover in the same breath, but itвЂ™s inviting when you glance it. Recorded during 19 at Electric Lady Studios in New York and Larrabee Sound Studios in Hollywood, Ayers was certainly on a creative hot streak and showed no signs of diminishing his distinctive approach for Sunshine.The albumвЂ™s ultra-nostalgic artwork sports several shots of Ayers, grinning and chilling on an apt sun-screened yellow background.

A hip invitation to dance, thereвЂ™s nothing more to the songвЂ™s disco-laden groove than Ayers tirelessly chanting the titles in repetition. There is no doubt that this album was destined to set many disco clubs and parties into a frenzy, while dropping life-affirming doses of knowledge to the People all in the same stroke.The albumвЂ™s opening track вЂњHey, Uh, What You Say Come OnвЂќ drifts in the center, as if someone flipped it on a radio transistor. A more nuanced focus on electronics and synthesizers (compellingly done by Ayers and Phillip Woo) is apparent here as well.

Somehow the subtle and easy-going charm of the song instantly puts you squarely in heart of the summer. Nonetheless, whenever it comes on, everything stops. With a deep emphasis on jazz improvisation and quiet storm qualities, the spacey ballad remains one of the albumвЂ™s most enduring highlights.Bubbly funk slices of anti-astrological philosophies and pleas for positivity and unity are found on вЂњIt AinвЂ™t Your Sign ItвЂ™s Your MindвЂќ and вЂњPeople and the World,вЂќ which can be seen as something of a prelude to the albumвЂ™s most definitive song as well as AyersвЂ™ seminal standard.Personally, I have yet to find a person who hasnвЂ™t at least recognized the irresistible rhythm and chorus of вЂњEverybody Loves the Sunshine.вЂќ You would be hard pressed to spot someone who hasnвЂ™t heard it in the form of a hip-hop sample or some other media entity, as it remains one of the most utilized and infectious grooves ever made. Although the song is dedicated to the travails of moving on from a love affair, вЂњKeep on WalkingвЂќ exemplified Ayers at the top of his balladeer game, composing an ethereal slow jam with such care and diligence.вЂњThe Third EyeвЂќ is a cerebral, six-and-a-half minute meditation on inner-peace, cosmic spiritualism, and truth that Ayers knew all too well. ThereвЂ™s a certain breeziness to its jazz tonality that makes the song a refreshing complement to a laid-back summer day.No stranger to covering material, Ayers tastefully covered Gino VannelliвЂ™s 1975 song вЂњKeep on Walking.вЂќ Retaining the originalвЂ™s moody and calm atmosphere, AyersвЂ™ smooth-yet-fragile tenor caresses each lyric with a tenderness that is hard to resist, with UbiquityвЂ™s female vocalist, Chicas, backing him. The peppy instrumental вЂњThe Golden RodвЂќ follows, with Ayers playing his vibes with great precision and ease.

Its soft piano twinkles, plaintive guitar, and steady congas intertwine with the woozy ARP Odyssey synthesizer flourishes as gently as an afternoon stroll on a lakefront, while you soak up the humidity and scenery.The moment Ayers and his female counterpart Chicas croon, вЂњMy life / My life / My life / My life / In the sunshine,вЂќ youвЂ™re immediately swept up in the aura of sweltering heat from the sunвЂ™s radiant rays.